COURSE OUTLINE
Introduction: getting started
Screening and marking
- The Final Cut Pro interface
- Following a workflow
- Navigating clips
- Marking clips
Editing clips in the timeline
- Managing project elements
- Editing a rough cut
- Making overwrite edits
- Managing timeline tracks
- Making insert edits
- Adding audio clips
- Drag and drop editing
- Changing volume of edited clips
Finishing the rough cut
- Adding cutaways
- Editing to narration
- Editing to music
- Copying, cutting, pasting and positioning clips
Trimming to refine clip duration
- Preparing a project for trimming
- Trimming overview
- Rippling edit points
- Rippling in the Viewer and by numbers
- Trimming on the V2 track
- Trimming one track of a linked clip
Trimming to refine a sequence
- Adjusting two edit points
- Slipping one clip
- Slipping sequence clips
- Rolling two edit points
- Sliding clips to refine position
- Keeping linked clips in sync
Refining the edit process
- Creating subclips
- Adding markers to clips
- Storyboard editing
- Editing multicamera
Applying transitions
- Evaluating project needs
- Understanding transitions
- Viewing transition options
- Applying transitions
- Modifying and copying transitions
- Using the Transition Editor
- Previewing and rendering effects
Mixing audio tracks
- Organising and editing audio tracks
- Monitoring and adjusting audio levels
- Applying transitions to fade volume
- Setting keyframes to change volume
- Using the audio mixer
- Recording a narration track
- Importing CD tracks
Creating titles
- Adding a lower third
- Applying a Boris title
- Creating a credit roll
- Adding mattes
- Composite opening titles
Changing motion properties
- Changing speed properties
- Creating a freeze-frame
- Changing clip size and position
- Building a split screen
Applying filters
- Viewing and modifying filter parameters
- Applying audio filters
- Using a colour correction filter
- Animating filters
Finishing and outputting
- Detecting audio peaks
- Broadcast video levels
- Using Easy Export
- Backing up projects
Getting around in Motion
- Following a New Paradigm
- Importing Video
- Setting a Play Range
- Transforming and Duplicating a Clip
- Adding Effects
- Hiding and Showing the Project Pane
- Stylising with Filters
- Framing with a Mask
- Compositing with a Blend Mode
- Adding Text,
- Animating with Text
- Using Library Content
- Arranging Layers
- Using Function Keys
- Outputting Projects
Building a Composite
- Setting Up a Project
- Creating a Background Using the Inspector
- Using Photoshop Files
- Compositing with Blend Modes and Filters
- Editing in Motion
- Making Overwrite Edits
- Managing Timeline Tracks
- Applying Masks and Using Clones
Creating Animation with Behaviours
- Adding Basic Motion Behaviours
- Stacking Behaviours
- Using Basic Motion Behaviours in 3D
- Using Simulation Behaviours
- Applying Parameter Behaviours
- Cloning a Group and Combining Behaviors
- Adding a Light
Animating with Keyframes
- Recording Keyframes
- Changing Keyframes Interpolation
- Setting Keyframes Manually
- Using Keyframes on Multiple Parameters
- Working with Multiple Keyframe Curves
- Animating Crop with Keyframes
Creating Content with Generators, Shapes and Paint Strokes
- Drawing Shapes
- Creating a Background with a Generator
- Searching for Content
- Modifying Animated Content
- Masking with Images
- Importing Vector Graphics
- Working with Paint Strokes
- Using Shape Behaviours
- Using the Bezier Tool
Creating Text Effects
- Creating, Formatting and Styling Text Layers
- Saving and Applying Text Style Presets
- Duplicating, editing and Aligning Text Layers
- Applying Text Behaviours
- Using the Glyph Tool
- Adding Motion Blur
Working with Particle Emitters and Replicators
- Using Emitters to Make Particle Systems
- Adjusting Emitter and Cell Controls in the Inspector
- Adding Cells
- Using Emitters from the Library
- Replicating Elements
- Modifying Replicator Presets
Using Audio
- Importing Audio
- Setting Markers and Keyframes in the Audio Editor
- Working with Audio and Video
- Editing to the Beat
- Animating with Audio
Speed Changes and Optical Flow
- Creating Constant Speed Changes
- Using Frame Blending and Optical Flow
- Creating Speed
- Ramps with Keyframes
- Creating Speed Effects with Retiming Behaviours
- Using Time Filters
Stabilising, Tracking and Keying
- Tracking and Stabilizing a Shot
- Keying Greenscreen Footage
- Creating Garbage Masks
- Correcting Color for Seamless Compositing
Publishing Smart Templates for Final Cut Pro X
- Setting up the Final Cut Pro Project
- Working with Effects Presets
- Modifying Effects
- Creating Smart Motion Templates
- Completing the Animation
- Using Build In and Build Out Markers
Rigging and Publishing Widgets
- Rigging a Checkbox Widget
- Modifying, Testing and Publishing a Widget
- Deconstructing a Transition Project
- Rigging a Pop-up Widget
- Using the Link Parameter Behaviour
- Creating a Final Cut Effect
- Rigging the Slider Widget
- Publishing Widgets and Parameters
Building a 3D scene
- Making 3D Transformations in the Canvas
- Converting 2D Groups to 3D
- Adding and Working with Cameras
- Arranging Groups and Layers in 3D Space
- Mixing 2D and 3D Groups
Animating Cameras and Using Advanced 3D Features
- Animating a Camera with Behaviours
- Using Advanced 3D Features
- Working with Depth of Field
- Turning on Reflections
- Using Lights and Shadows
- Exporting Advanced 3D Features
Final Cut Pro X
The Final Cut Pro X interface
- Following a workflow
- Using menus and shortcuts
- Viewing and sorting Events
- Skimming clips and changing views
- Viewing and creating projects
- Working in the Project Library
- Viewing projects in the Timeline
Importing
- Importing media into an Event
- Importing folders as Keyword Collections
- Analyzing and correcting imported clips
- Importing from a camera
Organising clips in an Event
- Using metadata to customize an Event
- Adding keywords to clips
- Adding multiple keywords to clips
- Applying keywords to a clip range
- Rating, sorting and searching clips,
- Creating Smart Collections
Building a rough cut
- Creating a new project
- Screening and marking clips
- Appending clips in the Timeline
- Viewing and arranging clips in the Magnetic Timeline
- Inserting clips into the primary storyline
- Changing edited clips
- Connecting clips to the primary storyline
Fine-tuning a rough cut
- Adding markers to a project
- Connecting clips to the primary storyline
- Overwriting and replacing clips
- Auditioning clips in the project
- Working with storylines
Adding to the primary storyline
- Duplicating a project
- Removing clip selections and adding gaps
- Understanding trimming
- Applying the Trim Tool
- Trimming with precision
Applying transitions
- Preparing for transitions
- Applying a video transition
- Using the Transitions Browser
- Modifying transitions
- Changing transition parameters in the Inspector
- Adding transitions to other storylines
- Compound clips, and exploring audio transitions
Working with sound
- Adjusting audio in the Timeline
- Adding music and sound effects
- Adjusting levels in the Audio Inspector
- Creating audio fades
- Recording a narration track
- Correcting problem audio
Working with Titles, Generators and Themes
- Using the Titles Browser
- Adding a lower third
- Modifying Titles
- Adding bumpers and credits
- Working with Video Generators
- Using themes
Retiming and transforming clips
- Understanding Motion Properties
- Retiming clips
- Creating holds and variable speed segments
- Applying preset speed effects
- Transforming an image
- Adding a Ken Burns effect
- Creating keyboard shortcuts
Applying effects and enhancing colour
- Applying video effects
- Modifying effect parameters
- Auditioning and animating effects
- Applying audio effects
- Enhancing colour in Final Cut Pro
Exporting and sharing your project
- Preparing a project for exporting and sharing
- Detecting audio peaks
- Adjusting video levels for broadcast
- Publishing to Apple devices
- Publishing to video sharing sites
- Exporting for Blue-Ray disc, DVD or disk image